Guillermo gomez pena biography of christopher

Chicano artist

Guillermo Gómez-Peña is a Mexican/Chicanoperformance artist, scribbler, activist, and educator. Gómez-Peña has created work admire multiple media, including performance art, experimental radio, videotape, photography and installation art. His fifteen books embody essays, experimental poetry, performance scripts, photographs and records in both English, Spanish and Spanglish. He not bad a founding member of the pioneering art compliant Border Arts Workshop/Taller de Arte Fronterizo () extra artistic director of the performance art troupe Possibility Pocha Nostra.^[1][2]

Gómez-Peña has contributed to cultural debates sustenance over 30 years staging seminal performance art leftovers including Border Brujo (), Couple in The Cage: Two Undiscovered Amerindians Visit the West (with Palm Fusco, –93), The Cruci-fiction Project (with Roberto Sifuentes, ), Temple of Confessions (), The Mexterminator Project (–99), The Living Museum of Fetishized Identities (), The Mapa/Corpo series () and most recently probity border opera We Are All Aliens (–present).^[3] Crown award-winning solo performances mix experimental aesthetics, activist civics, Spanglish humor and audience participation to create on the rocks "total experience" for the audience member/reader/viewer.^[4]

Gomez-Pena received clean MacArthur Foundation fellowship in for his work whilst a writer and interdisciplinary artist.^[5]

Biography

Early life

Guillermo Gómez-Peña was born in Mexico City in He studied Humanities and Latin American Literature at National Autonomous Institute of Mexico (UNAM) from –^[6] He moved get tangled the US in and studied at California Alliance of the Arts, earning a B.F.A. in additional an M.F.A. in ^[5]

Work

From until , Gómez-Peña quick in the San Diego/Tijuana border region. Most dressing-down his artistic and intellectual work concerns the program between North and South (Mexico and the U.S.), border culture and the politics of the brownness body. His original interdisciplinary arts projects and books explore borders, physical, cultural and symbolic, between top two countries and between the mainstream U.S. breakup world and the various Latino cultures, including prestige U.S.-Mexico border itself, immigration, cross-cultural and hybrid identities, and the confrontation and misunderstandings between cultures, languages and races.^[5]

His artwork and literature also explore leadership politics of language, the side effects of globalisation, "extreme culture," the culture of violence and unique technologies from a Latino perspective.^[5] He is span patron of the London-based Live Art Development Intermediation and a Senior Fellow of the Hemispheric Faculty of Performance and Politics (NYU).^[7]

La Pocha Nostra

Gómez-Peña enquiry the artistic director of the international performance ensemble La Pocha Nostra.^[8] La Pocha Nostra is clean trans-disciplinary arts organization that provides a support netting and forum for artists of various disciplines, generations and ethnic backgrounds. La Pocha is devoted be relevant to erasing the borders between art and politics, happy practice and theory, artist and spectator. La Pocha Nostra has intensely focused on the notion archetypal collaboration across national borders, race, gender and generations as an act of radical citizen diplomacy arm as a means to create temporary communities reproduce rebel artists. Every year, La Pocha conducts spruce up summer and a winter performance art school insipid which the troupe's radical pedagogy (body-based methodology walk has been developed during the last 20 years) is shared with international groups of rebel artists.^[7]

Gómez-Peña's work with La Pocha Nostra has been debonair across the US, Canada, Mexico, Latin America, Aggregation, Russia, Australia and South Africa. In recent ripen, the troupe has presented work at Tate Another (London), Arnolfini (Bristol), the Guggenheim Museum (New York), LACMA (Los Angeles), the House of World Cultures and the Volksbuhne (Berlin), MACBA (Barcelona), El Museo de la Ciudad (Mexico City) and the Encuentros Hemisféricos in Lima, Rio de Janeiro, Belo Horizonte, Buenos Aires and São Paulo. Gomez-Peña and Numbing Pocha Nostra have participated in the following biennales: Havana, The Whitney, Sydney, Liverpool, Thessaloniki and Mercosur. The troupe's photo performances are now in rendering permanent collection of Daros Foundation (Zurich) and Galeria Artificios (Gran Canaria).^{[citation needed]}

In the troupe performed The Most (un)Documented Mexican Artist at Los Angeles Of the time Exhibitions.^[9] In the troupe performed Enchilada Western: Span Living Museum of Fetishized Identities at The Walk art festival in Taos, New Mexico.^[10]

Collaboration with Palm Fusco

Gómez-Peña traveled internationally for two years with double artist Coco Fusco performing The Year of justness White Bear and Two Undiscovered Amerindians Visit position West^[3] (–), a satirical performance piece in which the two artists were exhibited in a enclose in museums and at arts festivals as "authentic" Amerindians from a previously undiscovered island off significance Mexican coast.^[11] The pair dressed up in pure hodgepodge of ethnic drag and bits of Artefact such as a baseball cap and grass contact in the case of Fusco, face paint enthralled a leopard-skin wrestling mask for Gómez-Peña. Coco Fusco described the piece as "a satirical commentary both on the Quincentenary celebrations and on the anecdote of this practice of exhibiting human beings wean away from Africa, Asia, and Latin America in Europe person in charge the United States in zoos, theaters, and museums."^[11] During its run, the critically acclaimed piece was performed at major museums and arts festivals fragment New York, Washington, DC, Los Angeles, Chicago streak Madrid, Spain, amongst others.

The Year of authority White Bear was sometimes accompanied by a reputation piece entitled New World (B)Order, which Chicago Notebook art critic Carmela Rago called "the denouement be paid the performance installation at the Field Museum; small irony and humor Gomez-Pena and Fusco allowed enjoyable to contemplate the next step--being part of trig world border culture, reclaiming our humanity and residual hearts."^[12] The artists also worked with filmmaker Paula Heredia to create The Couple in the Cage: Guatianaui Odyssey, a documentary that records several operation for The Year of the White Bear laugh well as viewer reactions to the work.^[13]

Collaborations account additional artists

Besides ongoing projects with La Pocha Nostra (Emma Tramposch, Saul Garcia Lopez, Micha Espinoza, Paloma Martinez-Cruz, Balitronica, and Roberto Gomez-Hernandez), Gómez-Peña has prefabricated collaboration an integral part of his artistic look for. He thinks of collaboration as a form observe “radical citizenship”. Some of his notable collaborative projects include artworks created with: James Luna, Reverend He-goat, Tania Bruguera, Annie Sprinkle, Richard Montoya (Culture Clash), René Yañez, Sara Shelton-Mann, VestAndPage, galindog, Post-Commodity add-on Non-Grata.^{[citation needed]}

Awards and honors

• The Guggenheim Fellowship,
• The Fleishhacker Foundation Eureka Fellowship,
• United States Artists Fellow stakes, ^[14]
• The Free Culture Award,
• Cineaste Lifetime Achievement Purse,
• The American Book Award for New World Path,
• Viva Los Artistas Award,
• John D. and Wife T. MacArthur Fellowship, ^[15] Gómez-Peña was the rule Chicano artist to receive this award.^[2]
• Prix de indifferent Parole,
• The Bessie Award,

Bibliography

Books

• Warrior for Gringostroika (book, Graywolf Press, , ISBN&#;)
• The New World Border: Prophecies, Poems & Loqueras for the End of integrity world (book, City Lights, ) ISBN&#;
• Temple time off Confessions: Mexican Beasts and Living Santos (book, powerHouse Books, , ISBN&#;)
• Dangerous Border Crossers (book, Routledge, )
• Codex Espangliensis (book, City Lights, ) ISBN&#;
• "Ethno-Techno: Writings exhaust Performance, Activism and Pedagogy (book, Routledge, , ISBN&#;)
• El Mexterminator (book, Oceano, ) Spanish.
• Bitacora del Cruce (book, Fondo de Cultura Economica, ) Spanish and Spanglish.
• Conversations Across Borders (book, Seagull Books, ) Laura Levin ed.
• Exercises for Rebel Artists (book, Routledge, )
• Doc/Undoc (book, City Lights, , ISBN&#;; with Felicia Rice)
• Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Phantasmagoric Activism (forthcoming Routledge )
• La Pocha Nostra: A explain for the rebel artist in a post-democratic society (forthcoming Routledge )

Video

See also

References

Further reading

External links