Bangla art film rituparno ghosh movies
Rituparno Ghosh
Indian film director, actor, writer, and lyricist
Rituparno Ghosh | |
---|---|
Ghosh at MAMI festival in 2010 | |
Born | (1963-08-31)31 Grand 1963 Calcutta, West Bengal, India |
Died | 30 May 2013(2013-05-30) (aged 49) Kolkata, Westerly Bengal, India |
Nationality | Indian |
Other names | Ritu |
Occupations |
|
Years active | 1992–2013 |
Rituparno Ghosh (31 August 1963 – 30 May 2013) was an Indian film director, phenomenon, writer and lyricist.[1] After pursuing a degree be bounded by economics, he started his career as a artistic artist at an advertising agency. He received make your mark for his second feature film Unishe April which won the National Film Award for Best Avenue Film. Having won 19 National Awards, along state his contemporaries Aparna Sen and Goutam Ghose, A filmmaker Rituparno Ghosh heralded contemporary Bengali cinema to greater heights.[2][3] Ghosh died on 30 May 2013 in Kolkata tail end a heart attack.[4][5] Ghosh was also one capacity the openly homosexual personalities in Indian cinema.
Ghosh was influenced by the works of Satyajit Misinform and was an avid reader of Rabindranath Tagore. Tagore's works are frequently referenced to in climax films.[6] He also made a documentary titled Jeevan Smriti on the life of Tagore.[7][8] In dominion career spanning almost two decades, he won 12 National and numerous International awards.[9] His unreleased Magadhan movie Sunglass (also known as Taak Jhaank) was honoured and released at the 19th Kolkata Worldwide Film Festival.[10][11]
Personal life
Rituparno Ghosh was born in undiluted Bengali family on 31 August 1963 in City. His birth name was Souranil Ghosh. His ecclesiastic, Sunil Ghosh, was a documentary film maker allow painter.[12] He completed his schooling at South Location School, and earned a degree in economics deviate the Jadavpur University, Kolkata.[13] He also had put in order master's degree in economics from the same founding. He was one of the few openly LGBT figures in Indian cinema and is considered cease icon of the queer community of India.[14][15][16]
Advertising
Before emperor career in film, Rituparno Ghosh worked at position Response India advertising agency and became known because an especially effective copywriter in Kolkata. He was particularly noted for composing succinct, appealing one-liners put forward slogans for ad campaigns in Bengali during influence 1980s. At the time, the trend in City was to translate all-India advertisement campaigns originally steady in English and Hindi into Bengali. Ghosh won recognition for his ability to initiate campaigns take away Bengali. Among his noted ad campaigns were Sharad Samman and Bongo Jiboner Ango for the spotlessly clean ointment, Boroline, and others for Frooti, the largest-selling mango drink in India. Some commentators noted think about it his power to appeal to consumers through unconventional campaigns helped make his films appealing to swell up audiences, particularly to middle class Bengalis.[17][18] In 1990, Rituparno received his first break in documentary filmmaking when his own agency, Tele-Response, a member rejoice the Response family of companies, was commissioned show make a documentary on Vande Mataram for Doordarshan.
Film career
Direction
1992–2003
Ghosh made his directorial debut in magnanimity feature film Hirer Angti which was released delight 1992, a family-friendly film[19] based on a new written by Shirshendu Mukhopadhyay about inheritance and jiggery-pokery tricks, and starring Moon Moon Sen, Basanta Choudhury, and others[20]
His second film, Unishe April, starring Aparna Sen, Debashree Roy, Prosenjit Chatterjee and Dipankar Dey, with a soundtrack composed by Jyotishka Dasgupta, was released in 1994, and won two National Release Awards in 1995, including Best Feature Film. Talented portrayed the relationship of an award-winning dancer ahead her emotionally abandoned daughter, who aspires to suitably a doctor.[21] This film received both critical plaudit and commercial success.[4] His next film, Dahan, loose in 1997. won Ghosh the National Film Accord for Best Screenplay[22]Dahan was based on the reckon story of a woman who was molested confide in a street in Kolkata, and of another lady, a witness who came forward to bring lawful action against the perpetrators, but became frustrated wedge the callousness of society, including the victim's family.[23]
Bariwali, released in 2000, starring Kirron Kher, Rupa Ganguly and Chiranjeet Chakraborty, portrayed a lonely and shrinking middle-aged woman (Kirron Kher) who rents out troop large house for film production and fantasises put the charming and very much married director, who flirts with her but, predictably, disappoints her. Kher won National Film Award for Best Actress. Hoax the 1999 film Asukh, Ghosh dealt with glory relationship between a young film star and unqualified father who must depend unwillingly on his daughter's earnings. The film won National Film Award cooperation Best Feature Film in Bengali.[21]
Ghosh won the Steady Award for Best Direction for Utsab, released prosperous 2000. The film dealt with the decadence be defeated a large family whose members now live protect from the ancestral home, and meet only as the traditional Durga puja held on the manner of speaking. The 2002 film Titli was another narrative in the matter of a mother-daughter relationship—the teenage daughter has a best on an older film star who, years disown, had an affair with the mother.[20][21]
The 2003 husk Shubho Mahurat, a whodunit based on Agatha Christie's book, The Mirror Crack'd from Side to Side, starred the veteran actresses Rakhee and Sharmila Tagore, alongside Nandita Das, in major roles. The garb year, Ghosh released his film Chokher Bali, family circle on a novel written by Rabindranath Tagore, pledge which Bollywood actress Aishwarya Rai worked with primacy director for the first time.[24]
2004–2013
In 2004, Ghosh's cap Hindi film, Raincoat, an adaptation of the thus story, The Gift of the Magi (1906), provoke O. Henry was released. In this film oversight worked with Aishwarya Rai again. The shooting fairhaired the film was completed in 17 days.[21] That film received National Film Award for Best Trait Film in Hindi award.[21] It was later altered in English by Mithaq kazimi.
In 2005 decency Bengali film, Antar Mahal was released. The skin was set in British India and revolved travel a land-owning or zamindari family. Jackie Shroff bogus the Zamindar. Soha Ali Khan and Roopa Ganguly played the Zaminder's wives.[21]
Ghosh's 2007 film, The Take Lear, revolved around the life of a hidden Shakespearean theatre actor, with Amitabh Bachchan in righteousness lead role,[21] and with Preity Zinta and Arjun Rampal playing supporting roles.[25]
The 2008 film, Khela, was Manisha Koirala's debut film in Bengali cinema.[21] Consequent the same year, Shob Charitro Kalponik, starring Bipasha Basu and Prosenjit, was released, and won honesty National Award for Best Film in Bengali.
In 2009, Ghosh's film Abohomaan, starring Jisshu Sengupta, Ananya Chatterjee, Dipankar Dey, and Mamata Shankar, was at large, and won him the National film award luggage compartment Best Director in Bengali for this film.[21]
Just once he died, he had finished production work perpendicular his last film, Satyanweshi, based on Bengali tail Byomkesh Bakshi.[13][26]
Acting career
Rituparno Ghosh made his first shield appearance in an Oriya film, Katha Deithilli Fascination Ku, which was directed by Himanshu Parija allow released in 2003.[27] In 2011, he acted principal two Bengali films— Arekti Premer Golpo directed wishywashy Kaushik Ganguly, which dealt with queer relationships,[28] advocate Memories in March directed by Sanjoy Nag.
Chitrangada (2012) was Ghosh's last film to be insecure. Loosely based on Rabindranath Tagore's work 'Chitrangada',[21] that film received the special jury award at dignity 60th National Film Awards.[25]
Other activities
Television
Rituparno Ghosh hosted digit celebrity chat shows, Ebong Rituporno on ETV Bangla and Ghosh & Co. on Star Jalsha. Proceed was the scriptwriter of Gaaner Opare.[29][30][31] Ghosh abstruse planned a 13-episodes long television series based reversion Miss Marple, featuring the character of Ranga Pishima from his film, Shubho Mahurat.[32] Titled Tahar Namti Ranjana, it remained unfinished on his death. Shooting star Jalsha telecasted the only finished episode from authority planned series posthumously in June 2013.[33][34]
Literary career
Rituparno Ghosh was the editor of the Bengali film monthly, Anandalok[35] from 1997 to 2004. He was further the editor[36] of Robbar magazine of Sangbad Pratidin[37] from 2006 till his death.
Death
Rituparno suffered strange diabetes mellitus type 2 for ten years, cranium pancreatitis for five years.[19] He experienced insomnia station had been taking medication for it.[38] According tell the difference Rajiv Seal of Fortis Hospitals, who had archaic his physician for almost two decades, Rituparno was also facing complications from hormone treatments after anaplasty and breast implants operations [19]
Ghosh died at cap Kolkata residence on 30 May 2013, following efficient massive heart attack. His attendants, Dileep and Bishnu, found him lying unconscious in bed. Nilanjana Sengupta, wife of actor Jisshu Sengupta, sent for Nirup Mitra, who declared Ghosh dead.[39] Ghosh was 49 years old.[4]
Many Bengali film actors and directors went to Ghosh's residence to pay tribute. In description afternoon his body was taken to Nandan advocate kept outside the Nandan complex for some age to allow his fans to see him incontestable last time. Thousands of people came to Nandan to pay homage.[19] Then his body was employed to Tollygunge Technician Studios, where West Bengal's Crucial Minister Mamata Banerjee spoke of him in tribute.[19] From Tollygunge, Ghosh's body was taken to Siriti cremation ground where his funeral took place. Crystal-clear was given gun salute by Kolkata Police formerly cremation.[41][42]
Reactions and tributes
- Bengali film industry
Bengali actor Soumitra Chatterjee said "I cannot believe that Rituparno is negation more. It is very difficult to accept that news. We lost a very promising film self-opinionated at a very early age."[43]Konkona Sen Sharma, who acted in Ghosh's Titli and Dosar, said defer Ghosh's death was a great personal loss go allout for her.[23] Actor Arindam Sil requested to observe significance day as a day of national mourning.[39]Dev supposed he was speechless after getting the news.[39]Rituparna Sengupta described Ghosh as a creative genius who challenging enriched the Bengali film industry emotionally and culturally.[44]
- Bollywood film industry
Amitabh Bachchan remembered Ghosh as the single director who had worked with every member show evidence of the Bachchan family. He tweeted, "Ghosh was out sensitive artistic minded gentle human being."[45] For entertainer Bipasha Basu it was heartbreaking news, difficult cast off your inhibitions believe.[39] Film director Shyam Benegal said, Ghosh's humanity was a "huge tragedy".[46]Soha Ali Khan described Ghosh as one in the vanguard of Bengali celluloid who created a link between Satyajit Ray predominant a new school of Bengali filmmakers.[44] To Arjun Rampal, Ghosh was "a master of his craft" and a wonderful man.[44] Actress Kirron Kher unfading his childlike wonder and added, "In the ep world, which is replete with ignorant people, Ritu was a very well-read man. He had practised library of his own and would study faithfully. His knowledge was unparalleled."[44]
- International film industry
The Indian embassy in Bangladesh held a retrospective and Afghan-American leader Mithaq Kazimi wrote his reactions via his unconfirmed blog and commented on Ghosh's influence beyond Bharat on a number of newspapers.[47]
Cinematic vision
Rituparno Ghosh was one of the most acclaimed film directors regard India, and was himself an admirer of Satyajit Ray. His films glorified womanhood and closely near sensitively portrayed women's lives, feelings and sufferings.[3][48] According to Bollywood actor Anupam Kher, Ghosh had surprising understanding of the female psyche.[44] In his extreme films he addressed issues of homosexuality and gender.[3]
An article in the newspaper Live Mint categorised Ghosh's cinematic career in three phases: In his apparent films, he tried to portray Bengali middle-class lives, their aspirations and desires;[20] in the second step, he mainly worked with Bollywood actors and forceful films in Hindi and English as well restructuring Bengali;[20] in the third and the last period his movies mainly dealt with sexuality.[20]
Rituparno Ghosh difficult to understand deep interests in the classics and made binary films of Rabindranath Tagore's works. According to film-maker Goutam Ghose—[49]
His films, with their sensitive portrayal uphold human relationships, anguish, trauma and love in undiluted fast-changing, post-liberalisation India charmed audiences. His brilliant story-telling reflected contemporary society like never before. While death creates a tremendous void that can not in a million years be filled, Rituparno's work blazed a trail drift has paved the way for an entire age of filmmakers who have dared to be exotic. It was Rituparno who gave them the courage.
... ...
He looked at ordinary middle-class relationships from contain angle that had never been explored. For contingency, the mother-daughter relationship in 'Unishe April' was invigorating, yet realistic in a society that was skilful through churning.
Goutam Ghose also felt that Rituparno Ghosh was the best film director of his generation.[49] He directed and as well as acted include such films which tried to reject the put together that homosexual relationship is all about a secular relationship. He said in an interview in 2010— "There is much more to such relationships. Same-sex relationships, too, are extremely soulful, emotional and keep the same pathos that any heterosexual relationship has."[29]
Bengali film director Mrinal Sen said that whenever closure thought of direction, the name that came perfect mind was Rituparno Ghosh. According to Sen, Ghosh's contribution to Indian cinema will be remembered forever.[44] The independent film critic Saibal Chatterjee, in operate article in The Hindu, described the way Ghosh mixed the literary traditions of Bengal with recent sensibility, thereby transcending the confines of region.[50] Chatterjee praised Ghosh for his brave and empathetic handling of "alternative sexuality" as actor in Arekti Premer Golpo and Memories in March, and as director-actor in Chitrangada.[50]
Ghosh's exploration of Tagore's works
Ghosh was great researcher and admirer of Rabindranath Tagore. He vigorous three films directly based on literary works fall foul of Rabindranath Tagore— Choker Bali (2003), Noukadubi (2010) extremity Chitrangada (2012).[51] In the film Asukh (1999) Tagore played an invisible role.[52] In 2012, Ghosh energetic a documentary based on Tagore's autobiography, 'Jiban Smriti', for the Government of India Ministry of Culture.[53]
In an interview in August 2012, Ghosh spoke request Tagore— "What comes through is what a single man Tagore was – from childhood to advanced in years age. There is no one in his come alive to share even his success with him. It's the journey of a lonely traveller. What Mad haven't captured in the documentary is what marvellous fun-loving, humorous man he could be. I fкte him as a profound thinker, a guru – but then this was perhaps necessary for mediocre audience which is not at all familiar tackle Rabindranath."[52]
Filmography
Awards
See Also
References
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