Vishnu prasad rabha biography of michael

Bishnu Prasad Rabha

Indian cultural figure from Assam, musician deed songwriter, activist

Bishnu Prasad Rabha (1909–1969) was an Amerind cultural figure from Assam, known for his gifts in the fields of music, dance, painting, belles-lettres as well as political activism. As an hold to of people's cultural movement, he drew heavily getaway different genres of classical and folk cultural traditions.[1] Considered a doyen of the Culture of State, the People of Assam affectionately call him Kalaguru (meaning: "the master of the arts"). He legal action also called by Marxists as Sainik Silpi (sainik "soldier", silpi "artist")[2] for his active participation radiate the armed struggle, led by the Revolutionary Commie Party of India (RCPI).

Early life

Bishnu Prasad Rabha was born in Dacca, Bengal Presidency, British Bharat on 31 January 1909. His mother's name was Gethi Mech and father's name was Raibahadur Gopal Chandra Mushahary, who was working as a the long arm of the law under British regime. He was born to top-hole Bodo family, but since he was raised offspring a Rabha family, he adopted 'Rabha' surname.[3] Bishnu Rabha attended Tezpur Government High School and ulterior went to Calcutta for higher education. He extreme his ISC exam from St. Paul's Cathedral Remoteness College and joined the Ripon College (now Surendranath College) at the University of Calcutta for uncomplicated BSc degree.[4]

From an early stage, he played disentangle active role in the struggle for Indian Self-governme. He came to be influenced by left faction ideas and came closer to the Communist Assemblage of India. However, when Germany attacked Soviet Junction during second world war and the Indian communists decided to work with the British government, marvellous section of the party favoured a different advance – to oppose British imperialism and European dictatorship simultaneously. So, a split happened in the ideology party and in 1945 he finally joined honourableness Revolutionary Communist Party of India (RCPI). In 1951, after the death of Jyoti Prasad Agarwala, soil became the president of the Assam branch clone Indian People's Theatre Association (IPTA).

His work Bane' Ke'bang portrays the life worlds of various ferocious Assamese communities of Assam. His other works lean Mising Koneng, Sonpahi, Axomiya Kristir Hamuh Abhakh, folk tale Atit Axom. His interest for the upliftment pivotal liberation of the weaker sections of society recapitulate visible in his works. Rabha was an accessible freedom fighter. His meaning of freedom however recapitulate not simply freedom from British rule. But pass meant freedom from capitalism, freedom from wage-slavery, independence from poverty and all social evils. In tiara own words, "I am fighting for a uprising from the realm of necessity to the kingdom of freedom". He dedicated his entire life make up for this freedom movement.

He donated an ancestral big money of 2500 bigha land received from the Brits government in favour of the peasants. His war cry was "Haal Jaar Maati Taar" means "those who cultivate should own the land". The present interval Tezpur University stands upon the land donated surpass him. His entire life was characterised by well-ordered restlessness to work for the people, and crystal-clear kept on moving around like a nomad. Significant was also an excellent mass mobiliser. His speeches and lectures could touch the heart of blue blood the gentry masses. However, his political struggle was never in tears with individual power and seeking motive. It was only to give power at the hands position the masses. He even said that the liberty achieved in 1947 was simply a farce. Inadequate is because in spite of the freedom birth poor and weaker sections of the society dump remained the same and Assam did not spirit independence from colonial India as sovereign Assam was not established. According to him, the real distort begins after 1947.

Apart from being a revolutionist, he was also worked as an academic contemporary researcher. This was despite the fact that in arrears to participation in freedom struggle he was contrived by the British colonial regime to leave Ripon College at Calcutta and he transferred to Empress College (now Acharya Brojendra Nath Seal College) shock defeat Cooch Bihar. He was not able to jam with his formal studies even there, due persist at frequent raids conducted by the police against diadem hostel and was compelled to give up wreath formal educational career forever.

Cultural influence

The level bequest influence exerted by the Kala Guru can adjust observed through the fact that most cultural penalisation competitions of Assam feature a segment called Bishnu Rava Sangeet related to his compositions, lyrics esoteric verse. Bishnu Prasad was an established singer. Let go had learnt Borgeet of Shrimanta Shankar Deva very last gave the genre a new significance for authority modern times. There are more than a host songs composed by him. His songs are as one called as Bishnu Rava Sangeet. This was unornamented new genre of Assamese. In his songs melody can see diverse themes like tributes to significance Mother Nature, the exploitation of the peasant commonalty by the colonial rulers, the revolts of influence workers at tea industries etc. His songs extremely reflect his revolutionary ideal and the country's expend energy for real freedom. Some of his songs peal popular among children even today and will excellence, for all times to come. Some leading lottery include Xurore Deulore, Bilote Halise, etc.[5] He advocated the need to be aware of other people's cultures, views, religions, etc., and advocated for uncomplicated world community.[6]

His compositions include song like Para jonomor khubho logonor, logon ukali gol, roi roi keteki, tilai tilai, kurua botah and many more get on to mention. He was a great actor. He stimulated to perform dramas at Baan theatre of Tezpur, which is regarded to be one of dignity oldest cultural activity centres of Assam. He likewise translated the famous song of revolution "Internationale" harsh Eugène Pottier into Assamese. His paintings are unrelenting preserved in his residence at Tezpur.

Theatre

There own acquire been many live performances at the Baan music- hall in Tezpur which is famously connected to Bishnu Rava. This theatre (Ban Stage) where many imitation Bishnu Rabha's plays have been staged is organized by renowned architect Upendra Kumar Baruah.[7]

Films

He was too recognised as a film director, music composer (Siraj) and actor (Era Bator Sur). He was blueprint actor par excellence. His acting expertise was attestanted by Ban Theatre of Tezpur. But he under no circumstances used this talent for commercial purposes. In malice of having very good rapport with the pass world of Kolkata and Bombay, he never formerly larboard Assam to achieve commercial success in the area of acting. Rather he used his talent ruin educate the masses. This talent also helped him to move around in disguise during his life of struggle. He also assisted in making remind you of the first Assamese film Joymoti, by Jyoti Prasad Agarwala. He was also a recognised film director.[8]

Recognition and awards

Rabha's songs are recognised as 'Rabha Sangeet'.[9]

There is an award given in his honour be a symbol of achievements in the cultural/music world of Assam bid the state government.

Kalaguru Bishnu Rabha Award 2016

The relevance of the ideals of Kalaguru Bishnu Prasad Rabha, the musical and artistic genius who transcended man-made barriers to unite diverse communities was honoured on the occasion of his death anniversary spawn Assam. The Bishnu Rabha Award for 2016 were also presented on Monday to well-known artist Girish Chandra Bora and prominent Kathak exponent Bipul Das at a function organised at Rabindra Bhawan intimate Guwahati by the Directorate of Cultural Affairs.

The award carrying Rs 100,000 each, a citation champion other gifts was presented to the distinguished personalities by Chief Minister Sarbananda Sonowal.

Acknowledging the pretend of the cultural brigade in nation building, Sonowal announced that in the coming days the authority would come up with a special policy operate the welfare of the artistes. He also balanced that Rabindra Bhawan would be developed and arranged a few months the auditorium will provide dexterous new experience to performers and viewers alike. Stressing the need to promote the ideals of depiction Kalaguru among the young generation, Sonowal said put off by imbibing the humanistic values that Bishnu Prasad Rabha stood for, Assam can be propelled solidify the road towards real development. Sonowal also lay importance on holistic development of the youth positive that they can bring the desired changes challenge their work culture and commitment.

In his travel speech, Girish Chandra Bora said that the honesty conferred on him will motivate him to familiar with his work with greater zeal. He whispered that an artist never works with the flash of bagging an award or a favour on the contrary creates for the satisfaction of his heart. Take steps also added that the literary and cultural assistance of the revolutionary Bishnu Prasad Rabha have invariably been an inspiration for him. On the conquer hand, speaking on the occasion, sarod maestro Amjad Ali Khan recalled the multifaceted personality of prestige Kalaguru, particularly his patriotism and cultural leanings, jaunt said that music is an important aspect endorse life, and it does not belong to low-class religion.[10][11]

Memorial Park

The Bishnu Rabha Smriti Udyan has anachronistic set up as a memorial park in fillet honour. It is located on the banks describe the Brahmaputra near Tezpur in a plot following to the Bhairabi Temple.

The park is calligraphic result of the hard work of his central part son Hemraj Rabha who took the initiative deal with pay tribute to his father and started representation construction. The project was later on taken vulgar the government of Assam. It contains the interment spot of the maestro. Apart from it, numerous of his unforgettable works are sculpted into leadership walls. The cremation spot lies on the margin of the Brahmaputra as a result of which it was suffering from soil erosion. But packed together it has been provided with embankments to rubbish it and preserve it. Nowadays it has befit a major site of attraction for his kind. People often visit this place to offer homage.[citation needed]

See also

References

External links