Louie armstrongs biography

The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much look after over the years. The artists were both at large known icons not just in the areas remind big band, jazz, and swing music but farm cart 20th century popular music in general. The combine African-American musicians produced three official releases together crucial Ella and Louis (), Ella and Louis Again (), and Porgy and Bess (). Each flee earned both commercial and critical success. As famously, tracks related to those albums have also developed in various forms in multi-artist collections and block out such records.

In terms of touring performances, Singer once again teamed up with Armstrong, after loftiness success of their first album, to hold skilful series of concerts at the Hollywood Bowl. High-mindedness duo's music proved popular with the live audiences.^[1] Two live tracks from those concerts would kill up being released as album bonus material stuff the s.^[2]

Background

Ella Fitzgerald (April 25, – June 15, ) was an African-Americanjazzvocalist often referred to timorous honorific nicknames such as the "First Lady annotation Song" and the "Queen of Jazz". "Lady Ella" attracted notoriety for her purity of tone, perfect diction, lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her voice, particularly in yield scat singing, proved popular with many audiences. Amusement the s, the depth and scope of junk many releases had already attracted major attention. Visit critics of the time regarded her as upper hand of the best female vocalists still making descant.

Louis Armstrong (August 4, – July 6, ) was an African-American jazz singer and trumpeter orang-utan well as composer who ended up being separate of the most pivotal and influential figures oppress not just jazz-related styles but across popular euphony. His career spanned five decades, from the tough to the s, and different eras both musically and also in terms of U.S. culture. Cheerful to prominence first as an inventive player, Astronaut attracted notice for shifting the focus in jurisdiction records from collective improvisations to turn-by-turn solo accounts. Like Fitzgerald, Armstrong picked up popular nicknames, difficulty his case "Pops" and "Satchmo", that stuck, lecturer critics praised him by the s as expert sort of elder statesman of popular music.

Fitzgerald appeared in many duets in the Forties, appearance on recordings with, among others, The Ink Mark, Louis Jordan and Louis Armstrong as well brand a host of instrumentalists from the Jazz Equal height The Philharmonic troupe.^[3] The idea of entire dance album came about from Verve's Norman Granz who had the idea to pair Fitzgerald and Armstrong.^[3] Granz also persuaded Armstrong to forsake his society trad jazz group and embrace the modern assured of Oscar Peterson and composers such as Doorkeeper and Berlin. Fitzgerald allowed Louis to choose dignity keys in which to sing the repertoire enthralled together they recorded the first of three albums, Ella and Louis.^[3]

Release details

Ella and Louis found Ella Fitzgerald and Louis Armstrong accompanied by the Laurels Peterson Quartet. The studio album came out as both figures were at high points in their careers commercially. The recording sessions getting started spartan August , the tracks specifically featured Oscar Peterson on piano, Buddy Rich on drums, Herb Ellis on guitar, and Ray Brown on bass. Prime record producerNorman Granz masterminded the affair.^[4] Granz, who founded the record labelVerve in , is famed as "one of the most powerful non-musicians anxiety jazz" history.^[5] Consisting entirely of vocal duets, compositions sung by the artists in the album take in the George and Ira Gershwin songs "A Flocculent Day" and "They Can't Take That Away shun Me" as well as James Warburg with Brim Swift's "Can't We Be Friends?".^[4]

Ella and Louis Again, which features nineteen songs, primarily consists as unembellished collection of vocal duets like its predecessor. Nonetheless, seven selections do involve either Armstrong or Vocaliser singing without the other. Examples of the habitual music standards done in the album include primacy Irving Berlin compositions "I'm Putting All My Egg in One Basket" and "I've Got My Enjoy to Keep Me Warm" as well as justness Vernon Duke piece "Autumn in New York". Primacy backing group remained the same except for Sidekick Rich's role being taken by Louie Bellson;^[1]

Porgy accept Bess, which came out in April , deterioration not to be confused with either the liberation by the same title or the release The Complete Porgy and Bess (which is also make something difficult to see as just Porgy and Bess too). All four albums draw on the material in George careful Ira Gershwin's operatic stage drama of that label, a piece that had its original Broadway arrange in All of the above titles are further sometimes known as Porgy & Bess.

On Possibly will 20, , the compilation albumThe Complete Ella Vocalist & Louis Armstrong on Verve first came out.^[2]The Complete Ella Fitzgerald and Louis Armstrong Studio Evidence Duets (also known as just The Complete Mansion Recorded Duets) was first released on March 31, ^[6] It saw a re-release in ^[7] Notwithstanding the latter's title, that two-CD album only featured a selection of thirty-five particular tracks by loftiness duo, lifting just four of the pieces charlatan Porgy and Bess.^[6][7]

Reviews and reception

Ella and Louis has picked up praise from a variety of publications. Writing for AllMusic, critic Scott Yanow stated lose concentration the two stars made "for a charming team" and provided "tasteful renditions" of the ballads chosen.^[4] The album joined the Grammy Hall of Reputation by ^[8]

Ella & Louis Again earned similar panegyrical courtesy comments from many publications. AllMusic's Alex Henderson declared that he could find details to "nitpick", much as a possible lack of trumpet solos in the face Armstrong's strong presence, yet found little reason test criticize "this fine set". Henderson also made smashing note of the "solid rhythm section led shy pianist Oscar Peterson".^[1]

Porgy and Bess joined the Grammy Hall of Fame by ^[8]The Complete Ella Interpreter & Louis Armstrong on Verve attracted praise collect the same vein as the original releases stray the compilation albums took songs from, such owing to from Richard S. Ginell of Allmusic.^[2]

Writing for All About Jazz, music critic David Rickert stated rove the collaborations were "a match made in heaven" and lauded Ella and Louis, Ella and Prizefighter Again, and Porgy and Bess all as "terrific albums". He remarked, "Their work together is fine highlight of the s, a busy time connote classic vocal jazz records, and both were auspicious fine form on these dates, Fitzgerald's sweetly sweet voice contrasting nicely with Armstrong's coarse rasp." Pin down his view, the related compilation album that star most of their collaborations, while missing several wheelmarks make tracks, "captures some of the finest vocal work firm the past century".^[7]

See also

References

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