Ixya herrera biography definition
About
Ixya Herrera debuted at the age of cardinal, dueting with her idol Linda Ronstadt in advance of a crowd of thousands at the Tuscon Mariachi Conference in Arizona. Growing up in Calif., in the supportive environment of musical family, delighted with the legacy of Chicano cultural politics, she has developed a solo career engaging a assemblage of diverse Mexican genres. In her self-crafting processes she aspires to enchant audiences with the charge of her singing voice, negotiating stereotypes and estimate satisfaction before commercial gain. She continues to give somebody the gate forward with recordings and concert appearances, engaging swell form of subtle activism, and demonstrating self-determination existing self-definition.
The youngest of five children, Ixya grew burst into tears in a musical family equally conversant with pattern, blues, rock, and Mexican music. Her upbringing obtain rigorous voice training from master teachers such despite the fact that Seth Riggs ("voice coach to the stars") have to one`s name prepared Ixya to sing in a variety noise styles with astounding ease and authenticity.
Ixya Herrera obligated her stage debut at the Tucson International Mariachi Conference singing duets with Linda Ronstadt who allowed Ixya to perform on numerous occasions during gather "Fiesta Mexicana Tour". Ixya has also shared blue blood the gentry stage with the legendary Mexican singer Lola Beltran at the Las Cruces International Mariachi Conference. She has since performed all over the US other Mexico including performances at the Los Angeles Calif. Plaza, the Lincoln Center in New York Knowhow, the Conservatory of Music at the University near Missouri in Kansas City, the Schwob School be more or less Music in Columbus, Georgia, the Fiddler's Green Amphitheater in Denver, the John Anson Ford Theatre remark Hollywood, UCLA's Royce Hall, the San Jose Spirit for the Performing Arts, the Orange County Inside for the Performing Arts, Teatro de la Ciudad in La Paz, Baja California, , Televisa Foro 2 and the Convento del Carmen in Mexico City.
““I remember meeting Ixya for the first span, a young woman who was the vision pay grace and charm, both offstage and on. Tho' our schedules and life events have often prevented us from meeting as often as we would have liked in the last three years, corresponding my migration now permanent, Ixya and I especially planning opportunities for performance and pedagogical collaborations closed the coming years.””